After two days, our batch of twelve is down to four and a half.
Tuesday, 1 February 2011
Wednesday, 26 January 2011
So Andy Gray has been sacked by Sky, Richard Keys remains just about in-tact though mounting pressure has left Sky in a difficult position following the revelations of the past week. Where does this leave Sian Massey?
‘Apparently, a female lino today, bit of a looker’
‘A female linesman? [...] No, I wouldn’t. I definitely wouldn’t... I can see her from here.’
‘What do women know about the offside rule?’
The conversation between Andy Burton and Gray ahead of Saturday’s match between Wolves and Liverpool.
‘The game’s gone mad. See charming Karren Brady this morning complaining about sexism? Yeah. Do me a favour, love.’
Keys, on the newspaper column written by the West-Ham vice chair.
These comments and quips have not been blown out of proportion, they have been presented for what they are, and that is sexist. The term itself is flung about and used blandly to cover a number of sins, but the issue that’s most upsetting is the result of the media circus that has erupted around a qualified professional official who has done nothing but get on and do her job. Sian Massey has not uttered a word during the whole palaver, and unfortunately decided to step down from her match on Tuesday officiating for Crewe Alexandra and Bradford City. A completely unfair consequence which meant a highly-competent and experienced individual was not able to do carry out her employment duty as an assistant referee.
Even through the statements were captured when the men thought their mics were off, it’s a shame now that journalists are rummaging through old reels of footage, scavenging for quotes from any male presenter that has ever been in the limelight. There’s no need for the media to rub it in our faces that these kinds of remarks are made – we know already! But the fact that such an old-fashioned and shallow point of view is still prevalent within the sports world just shows how slow people adapt to change. On-air or off-air, it’s still an ideology that hinders a fair portrayal of women in today’s ‘modern’ society.
The fact that women have had to struggle for years to make it just about acceptable to have a female presence within a male dominated sport is bad enough, but why is it the norm to still be judged and talked about with all remarks based purely on gender?
Boring!
Monday, 17 January 2011
‘New’.
It seems that the definition of the word is lost during the month of January. New Year’s resolutions are far from revolutionary.
January allows brands and businesses to convince us that we have overindulged so much that we really should feel awful. If we’re not feeling awful about those mince pies, we should probably re-think the meaning of indulgence. Tut. Condescending voiceovers remind us of brands’ ethereal presence, and January is the perfect time for their products and services to re-emerge, just in-time to save humankind from fat, flab and feeling awful. New Year; new resolutions; new solutions... recycled from last year. If you weren’t thinking about losing weight, you should. Everyone else is! You must try this diet which allows you to snack, and this food which makes you never want to snack. Oh, and this diet which makes you look like Cheryl Baker! Hooray!
Sitting on the sofa becomes a sin as bouncy youthful enthusiastic enthusiasts show off their toned bods for a fitness DVD that was filmed 6 months ago. Oh, and not only is TV-watching frowned upon, but that sofa you’re lounging on certainly isn’t suitable for 2011. If you weren’t shopping on Boxing Day and taking advantage of the pre-VAT increase, you must be bonkers. I don’t own a sofa, but I’m still saturated with adverts from furniture stores whose pre-requisite for success is to use acronyms and acronyms alone. Who knows what they could stand for...
On this theme, January is also a time for shops to clear out stock. Those winter coats that were new-in two weeks ago are pushed aside to make way for swimwear and flip-flops. We know that the fashion stores operate on their own seasonal axis, though this doesn’t mean that you shouldn’t buy up the ‘SLASHED’ price goods which are still very much appropriate in this cold weather. However, sale items loiter in the corner well into February looking crumpled, dusty, and so last year as we stock up on florals and linen. Spring/Summer ‘11, innit!
Resolutions shouldn’t be restricted to be made in January alone. There’s far too much else going on anyway... playing with Christmas presents, for example. And before you ask, no I don’t have any resolutions as such. I’ll change what I want in my own time, when I have time!
Roll on February.
Monday, 22 November 2010
My boyfriend and I went to Cafe Rouge, simply because we had converted Tesco clubcard points to make prizes; in this case, restaurant vouchers. Our meal was fine, I had rice and vegetables in sauce and boy had meat and potatoes in sauce.
Whilst eating, I notice the lady beside me (she really is beside me. Waitresses made sure to cram in as many couples as close together as possible) is crying. Cringe and awkwardness. Then, I see a glimmer in the corner of my eye with my crow-like peripheral vision and realise that golly gosh, he's gone and proposed to her with a sparkly sparkly ring...
In Cafe Rouge. Right beside me. Right beside me and boy and our elbows and outdoor coats.
Trying to digest this, as well as the rice, vegetables and sauce I couldn't help but gawk a little bit. At this point I reflect that that's what the proposer would've wanted anyway, even if the proposee didn't. Although she had agreed to marry him, so I presume that she would share his opinion on the matter and so I continued to gawk and do not feel bad for doing so.
After they nabbed a couple of glasses of free champagne, proposee spends approximately 25 minutes calling and texting and status updating and social networkinging and tweet and pinpinging everyone in her phonebook. She doesn't know how to send multiple messages and so this is a lengthy process. Meanwhile, proposer just sits there... maybe he's looking smug, but I'm not looking at him, I'm (secretly) watching female fiancee; appauled by the (kinda lack of) drama unfolding.
Now, really. For one, am I that old-fashioned and romantic to think that a proposal on a busy Saturday evening at Cafe Rouge is not ideal? Nor is it very personal. I don't know. I don't judge the pair as a couple, but it certainly was interesting to see how this extraordinary tale unravelled. Secondly, the importance of being socially aware and 'being connected' to one another has a horrible affect on people's personal lives it seems. Those (precious?) moments after the proposal, she ain't gonna get them back is she! Ever!
Her thumbs hold onto distant memory of the proposer's words as they were translated into noughts and ones quicker than any nimble soul could ever get down on one knee.
Cafe Rouge proposal + super social networking. It's a thumbs down from me, I'm afraid.
Ugh.
Monday, 1 November 2010
Whilst walking along a busy main road you can combine the inhalation of fumes, the splash of murky polluted puddles, beepbeeps from the early morning perves etc with a beautiful backdrop of magenta and vermilion. The deepest purple and the freshest green amongst sunshine yellow and burnt orange frame the edges of the street so colourfully. If you happened to have a 24 pack of Crayolas handy, I'm pretty sure you could identify every snazzy name they ever gave those little pencils - 'burnt sienna', 'tan'...
In the afternoons at 5.30pm before the clocks went back, a clear blue sky was the prettiest colour of 'sky blue' that'd ever been called pretty. I actually once smiled up at it because it was just the most perfect shade.
Now the clocks have gone forward the daylight fades too quickly and I squeeze my desk up against the window to absorb as much as I can while it's still around. Now I walk home and it's dark and car lights are on and it scares me when they roar past in the blackness and I can't see the tree leaves that are so beautiful in the light. Now they're only shadows, and all I smell is carbon, and all I feel is 'grey'.
Monday, 25 October 2010
My boyfriend doesn't like X-Factor. Of course, I watch it and I make him watch it and now he is as addicted as me...I think...maybe.
For the duration of the show I tend to make these remarks quite freely:
'What are they doing?!.'
'UGH, that's so flat.'
'Why is he constipated?'
'Why is he smiling like that?'
'Oh I love her.'
'They're just singing in unison again! Dammit One Direction, why won't you harmonise?!'
And ever since Cher was deemed 'THE FUTURE OF POP MUSIC', I have decided to reconsider all that this world stands for. If that girl is the future, I don't think there is much point in continuing. Will we really be subject to scrawny/verging on ill, chav-esque Cheryl-looky-likeys who are apparently too 'street' to wash their faces and proudly sport heinous treble-clef-side-of-hand gross tattoo transfers...
*tremble*
What I would do to just lend Cher a Simple make-up wipe or two, and while I was at it perhaps mention that if she got a good pair of trousers with a decent crotch she wouldn't have to dance with her knees wide-out and be groin-centric. I'd take her to Gap for some tailored monochrome - see if she can rock that.
Hmm, my prediction for the final is as follows:
Matt, Cher, One Direction. And I reckon Rebecca and Katie will go far.
Perhaps I digress from my initial point. What was it again..?
Anyway, it's quite nice to huddle round the tele all cosy, and with no Generation Game to keep company on the weekend's any more we now set our eyes on the future of all that is to be 'pop'. No more cuddly toys or plate smashing, we get to slag off, scrutinise and criticise everything that's shoved into our little spongey faces. We're wonderfully reassured that it's OK to divulge with others to compare 'our' thoughts and opinions on those poor X-factorites.
I have decided not to get started on Brian Friedman this time around, but my wrath will come very soon. (i.e. just because you are gay does not mean you are exempt from being hideously sexist, inappropriate and downright degrading with your dance routines!)
Enough.
Sunday, 26 September 2010
Beautiful Crime sure know how to host an event. The creative agency (specialising in urban art and culture) hosted the pre-release party for Fin DAC’s highly anticipated collection of hand-finished screen prints at the uber-funky Red Bull Studios last Thursday. Still Reigning, Still Dreaming celebrates musical legend Jimi Hendrix, coinciding with the 40th anniversary of his death.
A smattering of paparazzi lingered outside as the event drew an interesting crowd. I shyly shimmied past Gemma Arteton and her super-gorgeous pals (and puppies), was nearly bowled over by an aggressive Goldie, and was surrounded by those who just generally ooze coolness. Lots of strong eye-brows, awesome afros, sick trainer and suit combos etc. As I finally got a place at the bar, I was accosted by a hairy man who insisted the barman make me one of his ‘deadly specials’ after he’d overheard my pathetic order of one beer and a cranberry juice. Wrapped up in counting my pennies from my purse, I realised that there were no tills and it was in fact a free bar and I understood why people before me had carried off two trays full of shots. Having turned an appropriate shade of pink, I slunk off into the not-too-dark to observe Fin’s work, handing my plus one the hideously rum-tastic freebie and squeezed past those with tattoos and caps and skateboards strapped to their backs.
The artist classifies himself as ‘Sub-Urban’, claiming to be a kind of hybrid someplace between street-art and beyond. He uses an unusual ‘spitting style’ technique to explore the creative possibilities of painting with aerosols. It was a real privilege to see such interesting work up-close as it hung on the studio walls. The detail and layering is stunning and provides such depth that is often missing from two-dimensional street-art and graffiti. From a distance, the image of Hendrix is truly striking but the real beauty of the artist’s work is in delicate precision and careful use of stencils to create patterns and shimmers and luminance through metallic paints and a spectrum of colours.
DAC completed the final piece of the collection on the night, which was quite pongy but nobody seemed to mind. Crowds gathered round to watch the artist at work and although the zillion camera flashes probably didn’t provide a perfect working environment, the artist was engrossed. The four special edition artworks, completed on wood, copper, metal and canvas, were up for sale and priced at the hunky sum of £1,970 each – relating to the year that Hendrix died.
Meanwhile, there were DJs and live music from the talented Lewis Floyd Henry, who played one hell of a guitar and a half-size drum kit to perform as his one-man band. There was an electric atmosphere, and the Red Bull Studios were the perfect setting for such an exhibition that combined contemporary class with an urban edge.
At the end of the night, all guests received a goody bag which included more fantabulous freebies from the event sponsors – I was extremely happy to find a hefty can of Tigi dry shampoo, a mini bottle of Uluvka vodka, a Red Bull shot of caffeinated goodness and The Red Bulletin - a very cool little monthly magazine which combines extreme sports, photography and culture.
What a treat!
You can see Fin DAC’s personal photo stream here: http://www.flickr.com/photos/dragonarmourycreative/
[Originally written for Pop Weasels: http://popweasels.blogspot.com/20/09/10]
All photographs KB©
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